The land she came from 家鄉

In GHOST CRYSTAL,
Bai Pufei is a sculptor.

She works with the mineral veins of Huiling Mountain,
carving her art from its stone.

That land belongs to her family.
The milky-white Huiling stone is dense, slow to yield—
as if the mountain itself is telling her
not to forget where she came from,
not to forget the land,
and not to forget the bond between them—
a bond that cannot be severed.

With every cut of the blade,
she is shaping more than the stone’s natural grain.
She is refining her understanding of risk, attraction, and choice.

Some people walk the grey zone.
Others choose to stand within the mountain.

It is not an escape.
It is Bai Pufei’s way
of answering life.
在《白脈 / GHOST CRYSTAL》中，
白璞霏是一名雕塑家。

她以回嶺山的礦脈為材，
雕刻她的藝術作品。

那是她家族的土地。
奶白色的回嶺石，質地濃稠，化不開——
像山在提醒她，
不要忘記來時的路，
不要忘記土地，
也不要忘記她與這片山之間，無法切斷的羈絆。

一刀一刀落下，
她處理的，不只是礦石的紋理，
也是自己對風險、吸引力與選擇的理解。

有些人行走在灰色地帶，
有些人選擇站進山裡。

那不是逃避。
而是白璞霏，
對人生給出的回答方式。